The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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cinematographers aren’t recognized. We are, at least within the industry, but not in the consumer press. I don’t think I read a single review that mentioned the significance of Subroto Mitra’s (ISC) decision to use 16mm film and other formats in certain scenes in The River, yet that made a profound impact. I consider that a significant artistic decision worthy of comment, in fact, essential to an audiences understanding of the film’s artistic treatment.
QUESTION: The collaboration between directors and cinematographers is unique.
RAJEEV: An important thing about that collaboration is that cinematographers have to integrate their vision for a film with the director’s vision.
QUESTION: Do the many music videos you shot influence you today?
RAJEEV: Not really. None of my films look like music videos, but the great thing about music videos
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