Dr. Bart Ehrman Sums it all up BIBLE NOT RELIABLE [MUST SEE]

Please Visit www.islamreligion.com What is so beautiful with this video are the criteria of authenticity that he’s referring to and which historians wants, which resemble those of the science of hadith. Intro to the science of hadith www.islamic-awareness.org 1) A hadîth (pl. ahâdîth) is composed of two parts: the matn (text) and the isnad (chain of reporters). A text may seem to be logical and reasonable but it needs an authentic isnad with reliable reporters to be acceptable; Abdullah b. al-Mubârak (d. 181 AH), one of the illustrious teachers of Imâm al-Bukhârî, said, “The isnad is part of the religion: had it not been for the isnad, whoever wished to would have said whatever he liked.” 2) A Mutawatir hadith is one which is reported by such a large number of people that they cannot be expected to agree upon a lie, all of them together. See: www.islamic-awareness.org The Ulama (Scholars) are in agreement that the entire text of the Quran is “Mutawatir”, ie, its authenticity is proven by universally accepted testimony Ijma (Consesnsus). Preserved in written form and by memorization. It was Memorized by the Messenger of God himself (saas), his companions, and after the death of the Messenger of God (saas) on Monday,12 Rabi al-Awwal, in the eleventh year of Al-Hijrah, his companions (First Caliph Abu Bakr (r)) after the battle of al-Yamamah in Ramadhan the same year approx 6-8 months after the death of the Messenger of God (saas), compiled the revelation of God into a mus

KÜRT DEVRİMCİLERİNİ ELEŞTİREN ZİHNİYETİ KINIYORUM. BEN KOMÜNİZM’İ TÜRK SOLUNDAN DEĞİL ÖZĞÜRLÜĞE AÇ KÜRT SOLUNDAN ÖĞRENDİM. ..::YILMAZ GÜNEY::.. Yilmaz Guney was born in 1937 in the Yenice village of the southern city of Adana. His father was a Zaza from Varto Turkey and his mother was a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in film-making. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Mostly, state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was Yılmaz Güney. Güney was a gruff-looking young actor who earned the moniker “Çirkin Kral,” (“the Ugly King”) or (pasha nashrin) in Kurdish. After working as an apprentice screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey’s most popular actor. Although the early 1960s brought some political freedom to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a “communist” novel. The country’s political situation and Güney’s relationship with the authorities only
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