Master of Light: Conversation with Contemporary Bollywood Cinematographer ? Rajeev Jain ICS WICA
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Rasstar?
[Raj] Through discussions with Wanuri, finding films we both liked visually. We wanted to find separate looks for each story and a different look for the present day. We found a visual ‘theory’ for each section ( for example a deep red and black colour scheme for Amani story, long lenses for Abdosh story and very wide lenses for Mlandimu). The looks had to be able to implement quickly (then aided in the grading) because of the very tight schedule. We then applied the visual theory to a shot list (which we often had to do this the night before due to locations changing or not being found yet)
What was it like working with HD for the first time?
[Raj] With a 35mm camera you are looking directly through a beautiful lens and seeing the scene in colour and can trust your eyes as part of the
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